Do you often need a bass key in your music?
A bass key, or a key that many musicianscalled F (Fa), covers a low scale, so it is used in notes intended for instruments with a low system, and also for writing batches of low voices. Among the most common musical instruments for which this key is applicable, one can call a bass guitar, a cello, a double bass, and also a left-hand part for the performance of works on the piano.
In notes designed for pianoforte, bassthe key is always combined with the violin, which allows to recreate an integral and full-sounding melody. A small key is located, as a rule, on the bottom line, therefore, the party led by it is performed by the pianist's left hand. However, in some cases, this key can be found in the party for the right hand, for example, in the play "Sonata No. 14" by L. V. Beethoven.
In works written for the choir andvocal performance, the bass key is also very often used. First of all, it is worth mentioning the parties of such voices as bass and baritone. Less often, for simplicity of exposition, in a small key are recorded and lots of violent voices. Most often, such a situation occurs in the scores for choirs, and if it is a separate lot for a voice-viola, then the characteristic alto key is used.
It is important to consider the tool for which you wrotethose or other notes. The bass key can be lowered by an octave if the part is for a double bass, otherwise all notes are played in accordance with their standard arrangement in this key.
However, there are some varietiesbass key, such as a baritone key and a bass sound. Such signs are very rare in musical literacy, but, nevertheless, their location on the musical camp is worth remembering, so as not to confuse them with the standard key of the Fa.
A small, or bass, key is second only toviolin in its prevalence in different notes. Sometimes he even "jumps" in notes for instruments such as viola and violin, and is simply indispensable in any score. The bass key was used by musicians and composers who lived and worked in distant years, and it was thanks to this sign that all sonatas and rondos, chorals and vocalises, preludes and fugues became so full-blown and multifaceted.
Finally, it would be worthwhile to say that in writingThe bass key is not anything complicated - it is a kind of comma, the basis of which is "fixed" on the fourth line of the musical camp. Also, to the key, it is necessary to assign two points that will surround this very fourth step.